By Ibrahim S. Bangura
Freetown, Sierra Leone – In a male-dominated field where few women dare to venture, Fatimata Binta Barrie is defying the odds as a trombonist, challenging societal expectations and paving the way for female instrumentalists in Sierra Leone.
Speaking to Premier News on May 29, 2025, Barrie shared her struggles and triumphs as a musician in a society where women’s participation in instrumental music is often discouraged. A member of the Technical Brass Band for the past one and a half years, Barrie has faced resistance and doubt from her community, particularly due to her Fullah background, where traditional values often limit women’s artistic pursuits.
“Most of us come from families where playing music—especially for girls—is not accepted,” Barrie explained. “They don’t support us at all. Even now, my family tells me I can’t do this, but I keep pushing because I truly love music.”
Overcoming Cultural and Systemic Barriers
In many African societies, female musicians are primarily encouraged to sing rather than play instruments. Yet Barrie has chosen to master the trombone, an instrument known for its bold sound and physical demands. Despite her remarkable achievements, she admits to facing extreme challenges. “I can’t even say I get 45% support—more like 5%,” she noted.
The difficulties faced by women in Sierra Leone’s music industry extend beyond cultural expectations. The lack of institutional support, limited music education opportunities for female instrumentalists, and financial hurdles make the journey even harder.
Barrie lamented the absence of music shops in Sierra Leone, making it impossible for aspiring musicians to purchase their own instruments. “It is so sad that I don’t have an instrument of my own,” she said.
A Call to Action for Women in Music
Despite the odds, Barrie remains determined and encourages other women to persevere in their musical ambitions. “To my sisters out there who love music: don’t give up. Even when no one believes in you, believe in yourself. You are enough,” she declared.
Her story highlights the urgent need for music schools, cultural institutions, and policymakers to create inclusive opportunities for women in music, ensuring they are recognized not just as singers, but as instrumentalists, composers, and leaders.
Barrie also expressed gratitude to Ballanta Academy of Music and Performing Arts (BAMPA) for fostering an environment that supports female musicians.
Breaking the Cycle
In a world where gender often dictates who gets to play, who gets to be seen, and who gets to be heard, Barrie’s journey is a powerful statement of resilience and defiance. Her presence in the music scene is not just personal—it is political.
Her story underscores the ongoing fight for gender equity in the arts—a fight that is far from over. But with trailblazers like Barrie, the movement is gaining momentum. As she continues to push boundaries, her trombone is more than an instrument—it is her voice, her protest, and her triumph.