Ballanta Academy of Music Holds Jazz EveningBy Ibrahim S. Bangura

On the evening of Friday, May 30, 2025, the Sierra Palms Hotel in Aberdeen, Freetown, was transformed into a vibrant concert venue as the Ballanta Academy of Music and Performing Arts (BAMPA) hosted its highly anticipated Jazz Evening. This event was more than just a musical performance; it was an immersive celebration of rhythm, harmony, and Sierra Leone’s growing appreciation for jazz and music education.

Music enthusiasts, arts advocates, and members of the public poured into the venue, eager to witness a night where entertainment met education. As the sun set and the stage lights glowed, the hall buzzed with energy and anticipation. For BAMPA, this was not just another concert but a moment to showcase the talents it continues to nurture and to reinforce its vision of using music as a tool for learning and unity.

The evening opened with a warm welcome from the MC, Iyabode Johnson, who expressed gratitude for the ongoing support from the public, donors, and the arts community. Without delay, the music took center stage.

One of the night’s highlights was the remarkable lineup of performers, representing a fusion of seasoned artists and emerging talents. The stage featured a variety of acts, from solos to vocal-guitar duets and full ensembles. The Groovy Colours Band, a crowd favorite, performed a series of arranged and original jazz compositions that showcased their technical skill and improvisational flair. Their sound—rich with syncopated rhythms, tight harmonies, and expressive solos—set the tone for the evening.

Gifty Smith, representing the Ballanta Music Makers, delivered a soulful rendition of “Tomorrow is My Turn,” a song popularized by Nina Simone. Her performance stood out for its emotional depth and control, resonating powerfully with the audience. Another memorable moment was Jesse Van de Doren’s smooth, reflective guitar and vocal set, which brought a calm and introspective atmosphere amid the night’s excitement. During his guitar and vocal performance, Gwyn Allen captivated the crowd with heartfelt lyrics and intricate fingerpicking.

Beyond individual performances, the chemistry among the instrumentalists lit up the night. The blend of instruments created a layered, textured musical experience. The keyboard provided melodic depth, while the bass guitar laid a steady groove that held the arrangements together. The saxophone—sometimes smooth and sultry, at other times bold and brash—added an unmistakable jazz identity. Its player, K C King wove it through the solos and harmonies struck by the others.  The conga and Sangbay infused the evening with vibrant and infectious rhythms, grounding the jazz in African musical traditions and highlighting the deep connection between African traditional music and jazz.

The improvisational spirit of jazz was alive throughout the event. Musicians exchanged solos and musical motifs in real time, listening and responding with sensitivity and flair. Technical brilliance was matched by emotional intensity and authenticity in every performance. Even those new to jazz found themselves drawn in by the infectious rhythm and flow.

The audience participation was another highlight. Far from passive observers, guests clapped, danced, and sang along at various moments. It was a true celebration of musical inclusivity. The event bridged generational divides and demonstrated music’s unique power to foster community. The atmosphere was informal and inviting, yet professional and deeply moving balance BAMPA has mastered over the years.

In a post-event interview, audience member Lamson Lamrana described the night as “a beautiful musical journey that reminded us how powerful and healing music can be.” Another attendee, Yusuf Senesie, added, “I was blown away by the talent on display. Ballanta is doing something truly special for Sierra Leone.”

Beyond entertainment, the Jazz Evening underscored BAMPA’s mission to use music as a form of education and empowerment. Through its training programs and public performances, the academy continues developing Sierra Leone’s next generation of musicians, encouraging excellence, discipline, and cultural pride.

Jazz Evening 2025 was not just a show—it was a testament to what is possible when talent meets opportunity, and when institutions like BAMPA remain committed to nurturing the arts. As the curtains closed and applause echoed through the hotel hall, one thing was clear—jazz is not only alive in Freetown but thriving.

Elvira M. J. Bobson-Kamara, BAMPA’s principal, extended deep gratitude to everyone who supported the journey. “Your unwavering commitment and encouragement have been instrumental in our success. We extend special thanks to the Minister of Information and Civic Education, Chernor Bah; Sierra Palms Resort; Commerce and Mortgage Bank; Sierra Leone Commercial Bank; Access Bank (SL) Limited; and NP SL Limited. We also thank all the performers who gave their creativity, time, and energy to make this Jazz Evening unforgettable,” she said.

The academy invited those who are interested to become members. Membership is open to anyone keen on supporting BAMPA’s growth. Members will have a voice in the academy’s welfare and development, and receive newsletters, and regular updates on activities. The annual subscription fee is NLe500. Interested individuals can register by calling 030632671 or 076607501 and completing a membership form.

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