By Ibrahim S. Bangura
FREETOWN — In an inspiring reflection on courage and perseverance, 19-year-old musician Victoria Khan has opened up about her journey to recovery and renewed purpose following a major health setback that temporarily interrupted her blossoming musical career.
Speaking to Premier News on Sunday, June 22, 2025, Victoria recounted her experience undergoing emergency appendix surgery on December 23 last year—a challenge that tested both her strength and her devotion to music. “It was so hard because I had to watch my colleagues play, but I was not able to touch my instruments,” she said, describing the months of recovery. Despite her limited physical abilities during that period, she found creative ways to stay connected to music, switching temporarily from playing the euphonium to practicing on the tenor drum.
Determined not to lose momentum, she immersed herself in music theory and practice drills. Her efforts paid off when she resumed playing in April. “From the moment I started playing again, I felt at peace within myself… like the normal person I was before the surgery,” she shared.
Victoria’s journey is a testament to her resilience. She now uses her experience to motivate others, especially young people who might be facing hardships. “Sometimes when you feel unwell or limited, you might be tempted to wait for a better time. But don’t,” she encouraged. “Keep pushing, and you will be successful.”
Her rise in Sierra Leone’s musical circles is remarkable—not just for her talent, but for her instrument of choice. The euphonium, a rare and rich-sounding brass instrument, has become her musical signature. She currently plays for both the St. Joseph’s Secondary School Brass Band and the Ballanta Female Brass Band, a groundbreaking ensemble under the Ballanta Academy of Music and Performing Arts dedicated to championing gender inclusion in music.
Victoria credits much of her growth to her experiences at the Academy, which has provided technical training and a supportive environment. But she is also acutely aware of the barriers she has had to overcome—including a lack of access to instruments and the stigma that often surrounds women in traditionally male-dominated brass bands. “Joining the Ballanta Female Brass Band means more than just making music. We are breaking stereotypes and opening doors for others.”
In a city where access to resources is limited, Victoria’s achievements are not just personal milestones, but symbols of collective hope. She has performed solo pieces, mentored fellow students, and remains passionate about the social impact of music. “When we perform, it brings people together and creates pride in our culture,” she noted. “Music is healing—it fosters unity and empowers individuals.”
Looking ahead, Victoria hopes to continue her musical studies, explore professional opportunities abroad, and use her platform to advocate for gender equality in music and education. “I want young girls to see themselves in me and know that they too can succeed, no matter the obstacles,” she said.
Victoria’s euphonium may be an unusual choice, but its powerful tones now echo across Freetown as a symbol of hope, courage, and the transformative power of music.